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''The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice.'' Written for her lover Vita Sackville-West, ''Orlando'' is Woolf''s playfully subversive take on a biography, here tracing the fantastical life of Orlando. As the novel spans centuries and continents, gender and identity, we follow Orlando''s adventures in love - from being a lord in the Elizabethan court to a lady in 1920s London.
First published in 1928, this tale of unrivalled imagination and wit quickly became the most famous work of women''s fiction. Sexuality, destiny, independence and desire - all come to the fore in this highly influential novel that heralded a new era in women''s writing.
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Clarissa Dalloway is a woman of high-society - vivacious, hospitable and sociable on the surface, yet underneath troubled and dissatisfied with her life in post-war Britain. This disillusionment is an emotion that bubbles under the surface of all of Woolf''s characters in Mrs Dalloway.
Centred around one day in June where Clarissa is preparing for and holding a party, her interior monologue mingles with those of the other central characters in a stream of consciousness, entwining, yet never actually overriding the pervading sense of isolation that haunts each person.
One of Virginia Woolf''s most accomplished novels, Mrs Dalloway is widely regarded as one of the most revolutionary works of the 20th century in its style and the themes that it tackles. The sense that Clarissa has married the wrong person, her past love for another female friend and the death of an intended party guest all serve to amplify this stultifying existence.
FOREWORD BY ALI SMITH WITH AN INTRODUCTION BY FRANCESCA WADE Who better to serve as a guide to great books and their authors than Virginia Woolf? In the early years of its existence, the Times Literary Supplement published some of the finest writers in English: T. S. Eliot, Henry James and E. M. Forster among them. But one of the paper''s defining voices was Virginia Woolf, who produced a string of superb essays between the two World Wars. The weirdness of Elizabethan plays, the pleasure of revisiting favourite novels, the supreme examples of Charlotte Bronte, George Eliot and Henry James, Thomas Hardy and Joseph Conrad: all are here, in anonymously published pieces, in which may be glimpsed the thinking behind Woolf''s works of fiction and the enquiring, feminist spirit of A Room of One''s Own . Here is Woolf the critical essayist, offering, at one moment, a playful hypothesis and, at another, a judgement laid down with the authority of a twentieth-century Dr Johnson. Here is Woolf working out precisely what''s great about Hardy, and how Elizabeth Barrett Browning made books a ''substitute for living'' because she was ''forbidden to scamper on the grass''. Above all, here is Virginia Woolf the reader, whose enthusiasm for great literature remains palpable and inspirational today.