La couleur dominante du nouveau livre de photographies d'Orhan Pamuk est l'orange. Lorsque le romancier lauréat du prix Nobel en a terminé avec une journée d'écriture, il prend son appareil photo et se promène dans les différents quartiers d'Istanbul. Il explore souvent les ruelles de sa ville natale, des zones sans touristes, des espaces qui semblent négligés et oubliés, baignés d'une lumière particulière. C'est la lumière orange des fenêtres et des réverbères que Pamuk connaît si bien depuis son enfance à Istanbul il y a 50 ans, comme il le raconte dans son introduction. En parallèle, Pamuk observe également comment la lumière orange chaleureuse est lentement remplacée par une nouvelle lumière blanche, brillante et glacée diffusée par des ampoules plus modernes. Ses promenades dans les ruelles consistent à enregistrer et à préserver l'effet réconfortant de l'ancienne lumière orange qui disparaît, ainsi qu'à reconnaître cette nouvelle vision blanche. Que ce soit reflété dans la neige, au sommet d'un lampadaire, ou subtilement présent comme une brume diffuse, l'orange donne littéralement et esthétiquement forme aux images de Pamuk, qui nous révèlent des coins invisibles de sa ville natale.
From the Nobel Prize winner and best-selling author of Snow and My Name Is Red , a fable of fathers and sons and the desires that come between them. On the outskirts of a town thirty miles from Istanbul, a master well digger and his young apprentice are hired to find water on a barren plain. As they struggle in the summer heat, excavating meter by meter, the two will develop a filial bond neither has known before -not the poor middle-aged bachelor nor the middle-class boy whose father disappeared after being arrested for politically subversive activities. The pair will come to depend on each other and exchange stories reflecting disparate views of the world. But in the nearby town, where they buy provisions and take their evening break, the boy will find an irresistible diversion. The Red-Haired Woman, an alluring member of a travelling theatre company, catches his eye and seems as fascinated by him as he is by her. The young man's wildest dream will be realized, but, when in his distraction a horrible accident befalls the well digger, the boy will flee, returning to Istanbul. Only years later will he discover whether he was in fact responsible for his master's death and who the redheaded enchantress was.
Guides us through the monuments and lost paradises, dilapidated Ottoman villas, back streets and waterways of Istanbul. This is an account of one man's love affair with the city that has been his home since his birth. It was also shortlisted for the Samuel Johnson Prize in 2005.
A Strangeness In My Mind is a novel Orhan Pamuk has worked on for six years. It is the story of boza seller Mevlut, the woman to whom he wrote three years' worth of love letters, and their life in Istanbul. In the four decades between 1969 and 2012, Mevlut works a number of different jobs on the streets of Istanbul, from selling yoghurt and cooked rice, to guarding a car park. He observes many different kinds of people thronging the streets, he watches most of the city get demolished and re-built, and he sees migrants from Anatolia making a fortune; at the same time, he witnesses all of the transformative moments, political clashes, and military coups that shape the country. He always wonders what it is that separates him from everyone else - the source of that strangeness in his mind. But he never stops selling boza during winter evenings and trying to understand who his beloved really is. What matters more in love: what we wish for, or what our fate has in store? Do our choices dictate whether we will be happy or not, or are these things determined by forces beyond our control? A Strangeness In My Mind tries to answer these questions while portraying the tensions between urban life and family life, and the fury and helplessness of women inside their homes.
The Museum of Innocence - set in Istanbul between 1975 and today - tells the story of Kemal, the son of one of Istanbul's richest families, and of his obsessive love for a poor and distant relation, the beautiful Fusun, who is a shop-girl in a small boutique. In his romantic pursuit of Fusun over the next eight years, Kemal compulsively amasses a collection of objects that chronicles his lovelorn progress-a museum that is both a map of a society and of his heart. The novel depicts a panoramic view of life in Istanbul as it chronicles this long, obsessive love affair; and Pamuk beautifully captures the identity crisis experienced by Istanbul's upper classes that find themselves caught between traditional and westernised ways of being. Orhan Pamuk's first novel since winning the Nobel Prize is a stirring love story and exploration of the nature of romance. Pamuk built The Museum of Innocence in the house in which his hero's fictional family lived, to display Kemal's strange collection of objects associated with Fusun and their relationship. The house opened to the public in 2012 in the Beyoglu district of Istanbul. 'Pamuk has created a work concerning romantic love worthy to stand in the company of Lolita, Madame Bovary and Anna Karenina.' --Financial Times
In an old mansion in Cennethisar, a former fishing village near Istanbul, an old widow Fatma awaits the annual summer visit of her grandchildren. She has lived in the village for decades, ever since her husband, an idealistic young doctor, first arrived to serve the poor fishermen. Now mostly bedridden, she is attended by her faithful servant Recep, a dwarf and the doctor's illegitimate son. Under the creeping shadow of right-wing nationalism and political revolution, they share memories, and grievances, of the early years, before their home became a high-class resort. Her visiting grandchildren are Faruk, a dissipated failed historian; his sensitive leftist sister, Nilgun, has yet to discover the real-life consequences of highminded politics; and Metin, a high school student drawn to the fast life of the nouveaux riches, who dreams of going to America. But it is Recep's nephew Hassan, a high-school dropout, lately fallen in with right-wing nationalism, who will draw this family into the revolution and the growing political cataclysm issuing from Turkey's tumultuous century-long struggle for modernity. By turns deeply moving, hilarious, and terrifying, Silent House pulses with the energy of a great writer's early work even as it offers beguiling evidence of the mature genius for which Orhan Pamuk, winner of the Nobel Prize in 2006, would later be world renowned.
At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of sixteenthcentury Istanbul, from one of the most prominent contemporary Turkish writers. The Sultan has commissioned a cadre of the most acclaimed artists in the land to create a great book celebrating the glories of his realm. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed. The ruling elite therefore mustnyes'>#8217;t know the full scope or nature of the project, and panic erupts when one of the chosen miniaturists disappears. The only clue to the mysteryyes'>#8211;or crime? yes'>#8211;lies in the halffinished illuminations themselves. Part fantasy and part philosophical puzzle, My Name is Red is a kaleidoscopic journey to the intersection of art, religion, love, sex and power. Translated from the Turkish by Erda M Gyes'>#246;knarFrom the Trade Paperback edition.
It was the happiest moment of my life, though I didnt know it. So begins the new novel, his first since winning the Nobel Prize, from the universally acclaimed author of Snow and My Name Is Red. It is 1975, a perfect spring in Istanbul. Kemal, scion of one of the citys wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie--a world, as he lovingly describes it, with opulent parties and clubs, society gossip, restaurant rituals, picnics, and mansions on the Bosphorus, infused with the melancholy of decay--until finally he breaks off his engagement to Sibel. But his resolve comes too late. For eight years Kemal will find excuses to visit another Istanbul, that of the impoverished backstreets where Füsun, her heart now hardened, lives with her parents, and where Kemal discovers the consolations of middle-class life at a dinner table in front of the television. His obsessive love will also take him to the demimonde of Istanbul film circles (where he promises to make Füsun a star), a scene of seedy bars, run-down cheap hotels, and small men with big dreams doomed to bitter failure. In his feckless pursuit, Kemal becomes a compulsive collector of objects that chronicle his lovelorn progress and his afflicted hearts reactions: anger and impatience, remorse and humiliation, deluded hopes of recovery, and daydreams that transform Istanbul into a cityscape of signs and specters of his beloved, from whom now he can extract only meaningful glances and stolen kisses in cars, movie houses, and shadowy corners of parks. A last change to realize his dream will come to an awful end before Kemal discovers that all he finally can possess, certainly and eternally, is the museum he has created of his collection, this map of a societys manners and mores, and of one mans broken heart. A stirring exploration of the nature of romantic attachment and of the mysterious allure of collecting, The Museum of Innocence also plumbs the depths of an Istanbul half Western and half traditional--its emergent modernity, its vast cultural history. This is Orhan Pamuks greatest achievement.
A young Italian scholar was captured by pirates and put up for auction at the Istanbul slave market. Acquired by a brilliant Turkish inventor, he is set to work on projects to entertain the jaded Sultan.
Tells the story of Galip, an Istanbul lawyer whose wife has vanished. Playing the part of private investigator, he soon finds himself descending deeper and deeper into an extraordinary mystery.
Presents a collection ranging from lyrical autobiography to criticism of literature and culture, from humour to political analysis, from delicate evocations of the author's friendship with his daughter Ruya to provocative discussions of Eastern and Western art. This title also covers the author's high profile, court case.
What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this inspired, thoughtful, deeply personal book, Turkey's Nobel Prize winner explores the art of writing, and takes us into the worlds of the reader and the writer, revealing their intimate connections. Pamuk draws on Friedrich Schiller's famous distinction between "naive" poets-who write spontaneously, serenely, unselfconsciously-and "sentimental" poets: those who are reflective, emotional, questioning, and alive to the artifice of the written word. Harking back to his reading of the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center the novelist's craft. Orhan Pamuk ponders the novel's visual and sensual power-its ability to conjure landscapes so vivid they can make the here-and-now fade away. In the course of this exploration, he delves into the secrets of reading and writing, and considers the elements of character, plot, time and setting that compose the "sweet illusion" of the fictional world. Like Umberto Eco's Six Walks in the Fictional Woods and Milan Kundera's The Art of the Novel , this is a perceptive book by one of the modern masters of the art, a title anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from.
A parable about love, literature and fanaticism. A young university student becomes obsessed with a magical book that delves into the dangerous natures of love and self. Abandoning his studies and his family, he goes with the beautiful Janan on a search for the meaning of the book's darker secrets.